Patrycja Loranc is a Polish artist working within video, sound, photography and text. She believes in the psychedelic (mind-revelation) in art practice as a spiritual process of wellbeing and transformation. She explores direct experience as a meditative altered state through video, sound, writing, and photography. In a journey through complexities of identity and vulnerability of being, the neurodiversity paradigm and sensory profiles inform her intuitive practice rediscovering the relationships with nature, spaces, and objects, within experimental structures.
@psychepoeticlaundrette
@psychepoeticlaundrette
More of What I Don’t Know (2022)
Single-channel HD video projection; bass amplifier with low frequency sound, speakers & headphones. Printed 4-page A5 booklet, text, black & white photographs. 11 min 37 sec.
Inspired by sensory profiles and neurodiversity the film treats the sensory experience and unique associations of memory as a trigger for an altered state. A practice of mind-revealing, subjectivity, and meditation, within the rhythms of the mind. A voice beyond language. Parts of an ongoing structuralexperimental- intuitive project Fragments of Experience.
Science suggest that perception is not continuous but comprises of successive attentional moments. The artistic inquiry into flicker of the shutter in cinema’s origins is simultaneously a study of the nature of perception and experience - our relationship with reality.
Rhythms of image and sound can synchronise with brainwave frequencies, opening the potential for altered states within the timeframes of time-based art. The personal archive of intuitively collected moments - spaces, objects, plants, voice recordings turned into instruments of the soundtrack, the practice of being present in the Now, finding balance in contradictions of multiple aspects of identity, all are being structured into forms which build a sensory trip, experienced differently by each spectator.
Single-channel HD video projection; bass amplifier with low frequency sound, speakers & headphones. Printed 4-page A5 booklet, text, black & white photographs. 11 min 37 sec.
Inspired by sensory profiles and neurodiversity the film treats the sensory experience and unique associations of memory as a trigger for an altered state. A practice of mind-revealing, subjectivity, and meditation, within the rhythms of the mind. A voice beyond language. Parts of an ongoing structuralexperimental- intuitive project Fragments of Experience.
Science suggest that perception is not continuous but comprises of successive attentional moments. The artistic inquiry into flicker of the shutter in cinema’s origins is simultaneously a study of the nature of perception and experience - our relationship with reality.
Rhythms of image and sound can synchronise with brainwave frequencies, opening the potential for altered states within the timeframes of time-based art. The personal archive of intuitively collected moments - spaces, objects, plants, voice recordings turned into instruments of the soundtrack, the practice of being present in the Now, finding balance in contradictions of multiple aspects of identity, all are being structured into forms which build a sensory trip, experienced differently by each spectator.
Bloki, New Perspective (2022)
Video installation, colour, sound, duration: 5 minutes 22 seconds; thirteen A3 black & white photographs and text.
Bloki, New Perspective (2022) is a part of an ongoing project Fragments of Experience: intuitive captures of sensory, cognitive, and emotional experiences, in relationship to spaces, nature, and objects. Arising from an interest in the crossover of neuroscientific and philosophical contexts in the study of individual identity through uniqueness of synaptic connections, memory, and sensory sensitivities. A childhood unaware of neurodivergence, seen from the perspective of a rare visit to the area of the formative years. In this work the personal history connected to a place is restored, attempting to reclaim trauma through love, and retrieving the experiences in a process of revival and growth. Understanding of social mechanisms of unconscious suppression, rediscovering a freedom through improvisation and intuition, revoicing, triggered by a flash-back coincidence.
Video installation, colour, sound, duration: 5 minutes 22 seconds; thirteen A3 black & white photographs and text.
Bloki, New Perspective (2022) is a part of an ongoing project Fragments of Experience: intuitive captures of sensory, cognitive, and emotional experiences, in relationship to spaces, nature, and objects. Arising from an interest in the crossover of neuroscientific and philosophical contexts in the study of individual identity through uniqueness of synaptic connections, memory, and sensory sensitivities. A childhood unaware of neurodivergence, seen from the perspective of a rare visit to the area of the formative years. In this work the personal history connected to a place is restored, attempting to reclaim trauma through love, and retrieving the experiences in a process of revival and growth. Understanding of social mechanisms of unconscious suppression, rediscovering a freedom through improvisation and intuition, revoicing, triggered by a flash-back coincidence.
Group Exhibition: Call It What You Will, The Moment Has Its Own Dimensions, A.P.T Gallery 17-27 March 2022
Panel Discussion: 24-March 2022, 5pm
Postgraduate Degree Shows: Goldsmiths, University of London New Cross SE14, 21-26 July 2022
Panel Discussion: 24-March 2022, 5pm
Postgraduate Degree Shows: Goldsmiths, University of London New Cross SE14, 21-26 July 2022